Mimesis
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#01
Powers of Horror: An Essay on Abjection · Julia Kristeva · p.40
POWERS OF HORROR > PHILOSOPHICAL SADNESS AND THE SPOKEN DISASTER OF THE ANALYST
Theoretical move: Kristeva argues that analytic speech achieves a "poetic" catharsis by passing through abjection rather than sublating or purifying it, positioning the analyst's mimetic identification with the analysand as the site where Freudian jouissance disrupts the Kantian-Hegelian tradition of ethical consciousness that would reduce defilement to normative sadness and silence.
There is mimesis (some say identification) in the analytic passage through castration...If there is analytic jouissance it is there, in the thoroughly poetic mimesis that runs through the architecture of speech