Working-Through
ELI5
When you're in therapy, just knowing what your problem is isn't enough — you have to keep wrestling with it, over and over, until it stops running your life. That repeated wrestling is what "working-through" means.
Definition
Working-through (Durcharbeitung/Durcharbeiten) is Freud's technical term for the temporally extended, iterative phase of analytic work that follows the identification of resistance. In "Remembering, Repeating, and Working Through," Freud distinguishes three historical moments in analytic technique: (1) hypnotic catharsis, which sought direct remembering and abreaction; (2) early free-association work, which aimed at conscious overcoming of resistance through interpretation; and (3) the mature technique in which the analyst focuses on surface-level resistances and must give the patient "time to familiarize himself with the resistance now that he is aware of it, to work his way through it, to overcome it by defying it." The concept designates the distinctive labour that separates psychoanalysis from suggestion: not the moment of insight but the sustained, repetitive engagement with resistance that converts acting-out (repeating in the motor domain) into psychic remembering. The therapeutic aim throughout all these phases remains the same — filling gaps in memory and overcoming repressions — but working-through is the specific operation by which that aim is achieved under the conditions of resistance and transference.
Structurally, working-through occupies the middle term between mere repetition and full recollection. Because the repressed cannot simply be recalled under conditions of resistance, it returns as action — acted out in the transference as something "intensely real and immediate." The analyst's task is to bring "the entire illness within the scope and ambit of the treatment" while simultaneously conducting the therapeutic work of leading the patient back to the past. This is not a once-and-for-all resolution but an iterative, laborious process: the patient must return again and again to the same resistances and the same material before structural change occurs.
Evolution
In Freud's own writing (occurrences 6–9, all from "Remembering, Repeating, and Working Through"), the concept emerges as a direct response to the evolution of analytic technique from hypnotic catharsis to free association. Working-through is explicitly theorised as what distinguishes the mature analytic method: it is not the dramatic abreaction of hypnosis, nor the simple communication of interpretations, but the protracted labour of overcoming resistance experientially. Freud frames it in almost military language — "a constant battle with the patient" to keep impulses in the psychic rather than motor domain — and insists that it takes time, that the patient cannot simply be told about a resistance and move on. The concept thus has a fundamentally temporal structure; it is irreducibly extended.
In Lacan's early return-to-Freud period (Seminar I, occurrence 1), working-through is invoked to describe Anna O.'s pre-analytic treatment with Breuer as "hard labour" contrasted with the elegant compressed resolution of Lucy R.'s case. Here the term retains its Freudian sense of iterative, extended reworking of the whole history — "the whole series of events, the whole history, is relived and re-worked several times." Lacan uses this contrast to locate what is structurally irreducible in the analytic relation to discourse: some histories require extended traversal, not just elegant symptom-relief.
By the discourses period (Seminar XVI, occurrence 2), Lacan subjects the concept to significant structural revision. He now sharply distinguishes Durcharbeitung from "elaboration" in the philosophical sense — it is not cognitive assimilation or incremental intellectual progress but something more structural: "People on the couch see that it consists in coming back the whole time to the same thing." The repetitive return to the same point is now articulated not as iterative deepening but as a structural encounter with a limit — rethought alongside the superego, identification, and the ego ideal. Working-through loses its predominantly temporal-therapeutic character and becomes a marker of the structural impasse that analytic discourse inhabits.
In the secondary literature, Mari Ruti (occurrence 4) appropriates working-through in an ethical register as the middle path between obsessive re-traumatisation and the fantasy of a pure present ("living in the now"). She retains the Freudian sense of sustained engagement with historical material as the condition for genuine agency and interpersonal responsibility, while detaching it somewhat from the strictly clinical context. The Introduction to the Penguin Freud volume (occurrences 5 and 10) extends working-through into political theory, reading it as the therapeutic-and-political alternative to unconsciously repeating authoritarian attachments — making it a concept for collective as well as individual life.
Key formulations
Beyond the Pleasure Principle and Other Writings (page unknown)
One has to give the patient time to familiarize himself with the resistance now that he is aware of it, to work his way through it, to overcome it by defying it and carrying on with the therapy in accordance with the basic rule of analysis.
This is Freud's canonical definition of working-through as a distinct technical phase: it is temporally extended, follows the identification of resistance, and requires active patient engagement — not mere intellectual recognition.
Beyond the Pleasure Principle and Other Writings (alt. ed.) (page unknown)
Piece by piece the entire illness is brought within the scope and ambit of the treatment, and while the patient experiences it as something intensely real and immediate, it is our job to do the therapeutic work, which consists to a very great extent in leading the patient back to the past.
This formulation captures the double movement of working-through: the patient repeats in the present while the analyst orients toward the past — the concept is the dynamic bridge between these two temporal registers.
Seminar I · Freud's Papers on Technique (p.25)
with Anna O. we find the hard labour of working-through possessing all the animation and density of the most modern analytic cases
Lacan's earliest engagement with Durcharbeitung, contrasting it with the elegance of Lucy R.'s rapid resolution to highlight the irreducible iterative labour required when the full history must be relived and reworked.
Seminar XVI · From an Other to the other (p.155)
Durcharbeitung, l'élaboration as it is translated in French...Analytic elaboration is not at all like that. People on the couch see that it consists in coming back the whole time to the same thing.
Lacan's structural reinterpretation of working-through: it is not philosophical elaboration or cognitive assimilation but the repetitive structural return to the same impasse — a decisive shift from Freud's temporal-therapeutic framing.
Seminar IV · The Object Relation (p.270)
the Durcharbeitung is not, contrary to what is commonly accepted, animated merely by some endless iteration at the end of which what had not been intellectually assimilated will at last work its way under the subject's skin
Lacan explicitly corrects a dominant misreading of working-through as iterative cognitive assimilation, redefining it as the traversal of multiple symbolic circuits — a structural rather than cumulative or pedagogical process.
Cited examples
Anna O.'s treatment with Breuer (case_study)
Cited by Seminar I · Freud's Papers on Technique (p.25). Lacan contrasts Anna O.'s extended, iterative treatment — in which 'the whole series of events, the whole history, is relived and re-worked several times' over almost a year — with the rapid, elegant resolution of Lucy R.'s case. Anna O. exemplifies 'the hard labour of working-through' as the mode of treatment required when the analytic relation to the full history cannot be short-circuited.
Lucy R.'s case (from Freud's Studies on Hysteria) (case_study)
Cited by Seminar I · Freud's Papers on Technique (p.25). Lucy R. serves as the contrasting pole to working-through: her symptoms were resolved with 'effortlessness which has all the beauty of works by primitives,' treated 'one by one, in themselves, tackled directly like so many formal problems.' This elegant compression highlights by contrast what working-through designates — the extended, non-elegant labour required in more complex cases.
Little Hans's case (the two-giraffes fantasy) (case_study)
Cited by Seminar IV · The Object Relation (p.270). Lacan uses the Little Hans material to argue that working-through is not endless iteration leading to intellectual assimilation but the traversal of multiple symbolic circuits — illustrated by Hans's successive fantasy formations as he moves from the eruption of the real penis toward its symbolic accommodation. The case demonstrates the structural (rather than cumulative) character of the process.
Tensions
Within the corpus
Whether working-through is primarily a temporal-therapeutic process of iterative engagement with resistance or a structural encounter with a constitutive limit that cannot be overcome by iteration.
Freud: working-through is the temporally extended, iterative phase in which the patient, already aware of his resistance, must experientially engage and overcome it 'by defying it and carrying on with the therapy.' Time and repetition gradually convert acting-out into remembering; the goal remains filling gaps in memory and overcoming repression. — cite: penguin-modern-classics-sigmund-freud-beyond-the-pleasure-principle-and-other-wr (Remembering, Repeating, and Working Through)
Lacan (Seminar XVI): working-through is not philosophical elaboration or iterative intellectual assimilation but 'coming back the whole time to the same thing' — a structural return to an impasse that must be rethought alongside the superego and the ego ideal rather than as a therapeutic overcoming. — cite: jacques-lacan-seminar-16 p.155
This tension marks the crux of Lacan's departure from ego-psychological and humanist readings of Freud: for Freud the iteration aims at an eventual resolution; for Lacan the iteration discloses a structural impossibility.
Whether working-through is best understood as structural traversal of symbolic circuits (Lacan, Seminar IV) or as ethical-cognitive engagement with one's personal history that enables agency (Ruti).
Lacan (Seminar IV): working-through is not 'animated merely by some endless iteration at the end of which what had not been intellectually assimilated will at last work its way under the subject's skin' — it is the structural traversal of multiple symbolic-imaginary circuits in the signifying field. — cite: jacques-lacan-seminar-4 p.270
Ruti: working-through is the third path between obsessive re-traumatisation and the fantasy of the pure present; it enables the subject to become 'capable of intervention' in their repetitions through historically-informed self-awareness and conscious accountability. — cite: mari-ruti-the-call-of-character-living-a-life-worth-living-columbia-university-p p.105
Ruti's humanistic-ethical appropriation reintroduces the very cognitive-assimilation model that Lacan explicitly rejects, treating working-through as a route to ego-level agency rather than a confrontation with structural impossibility.
Across frameworks
vs Cbt
Lacanian: For Freud and Lacan, working-through is not reducible to conscious learning or the rehearsal of new behavioural responses. It operates at the level of the unconscious: the patient must engage a resistance that by definition is not fully available to conscious inspection, and the iterative labour targets not habits but the structural conditions of repression and repetition-compulsion. Lacan further insists that working-through is not intellectual assimilation but a structural traversal — meaning cognitive insight alone changes nothing essential.
Cbt: Cognitive-behavioural therapy conceptualises analogous therapeutic work through exposure, cognitive restructuring, and behavioural experiments. Repeated engagement with avoided material (as in exposure therapy for PTSD or phobias) is understood as a learning process that updates threat appraisals and extinguishes conditioned responses. Change is achieved by practising new cognitive-behavioural patterns until they are consolidated — a model that is explicitly cognitive-assimilative in the way Lacan rejects.
Fault line: The deep disagreement concerns whether therapeutic change operates through conscious cognitive-behavioural re-learning or through the unconscious structural transformation of the subject's relation to repressed material; CBT assumes the former is both necessary and sufficient, while Lacanian theory holds that it misses the constitutive role of the unconscious and resistance.
vs Humanistic Self Actualization
Lacanian: Lacanian working-through does not aim at the recovery of an authentic self or the fulfilment of a positive potential; it aims at the structural dissolution of resistances grounded in repression, leaving the subject exposed to the irreducible lack at the centre of subjectivity. There is no 'true self' to be liberated by the process — only a transformed relationship to one's symptoms, repetitions, and the Real.
Humanistic Self Actualization: Humanistic psychology (Rogers, Maslow) conceives therapeutic work as the removal of conditions of worth and defensive structures that block the organism's natural tendency toward growth and self-actualisation. The analogue of working-through would be the gradual lowering of defences that allows the client to reconnect with authentic feelings and an organismic valuing process — a progressive movement toward a fuller, more genuine self.
Fault line: The fault line is the Lacanian rejection of any notion of natural wholeness or positive telos underlying the neurotic defences: for Lacan the subject is constituted by lack and alienation in language, so working-through does not restore a pre-existing plenitude but transforms the subject's relation to a constitutive absence.
vs Frankfurt School
Lacanian: Lacanian working-through targets the structural conditions of the individual subject's unconscious — the repressed, the resistance, the compulsion to repeat — and while it can be extended to group and political life (as in the Penguin introduction's reading), its mechanism remains the psychoanalytic encounter with the singular subject's history and desire.
Frankfurt School: The Frankfurt School (Adorno, Horkheimer, Marcuse) also theorises a 'working-through' of the past (Aufarbeitung der Vergangenheit, in Adorno's essay), but frames it as a collective-critical project: the task of a society confronting its authoritarian and fascist heritage through reflexive critical consciousness rather than individual therapy. The mechanism is social-philosophical critique and institutional transformation, not dyadic clinical process.
Fault line: The disagreement concerns the locus and mechanism of change: for Lacanians the unconscious is structured like a language and must be addressed at the level of the individual subject's speech within the analytic encounter; for the Frankfurt School, the pathologies of repetition and authority are primarily social and ideological, and require collective critical praxis, not clinical working-through.
All occurrences
Where it appears in the corpus (17)
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#01
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part30.xhtml_ncx_202"></span><span id="9781134780112_Part30.xhtml_page_0231"></span>***T*** > <span id="9781134780112_Part30.xhtml_ncx_204"></span>**time**
Theoretical move: Lacan's theory of time constitutes a double break with linear temporality: logical time replaces chronometric time with a dialectical intersubjective structure (tripartite: instant of seeing / time for understanding / moment of concluding), while retroaction and anticipation replace linear developmental sequences with a non-linear psychic temporality in which present, past and future mutually condition one another.
Lacan's concept of 'the time for understanding' can throw light on the Freudian concept of working-through
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#02
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part30.xhtml_ncx_202"></span><span id="9781134780112_Part30.xhtml_page_0231"></span>***T*** > <span id="9781134780112_Part30.xhtml_ncx_210"></span>**treatment**
Theoretical move: The passage defines psychoanalytic treatment as a directed structural process distinct from medical cure, whose aim is not the restoration of a healthy psyche but the analysand's articulation of desire and truth, structured by transference, resistance, and the desire of the analyst across distinct phases.
the analysand works through the signifiers that have determined him in his history
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#03
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part26.xhtml_ncx_142"></span><span id="9781134780112_Part26.xhtml_page_0161"></span>***P*** > <span id="9781134780112_Part26.xhtml_ncx_151"></span>**phobia**
Theoretical move: Lacan retheorises phobia not as a clinical structure but as a "revolving junction" (plaque tournante): the phobic object functions as a signifier without univocal sense, enabling the subject to work through the impossibilities blocking passage from the Imaginary to the Symbolic, and phobia thereby occupies a gateway position between the two great neurotic structures and perversion.
the treatment should aim at helping the subject to work through all the various permutations involving the phobic signifier
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#04
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures · Mark Fisher · p.231
<span id="Chapter23.htm_page214"></span>Postmodern Antiques: *Patience (After Sebald)*
Theoretical move: Fisher argues that *Inception* symptomatically stages the supersession of the Freudian unconscious by a "subconscious" colonised by late-capitalist cognitive labour: where the classical unconscious was an alien otherness, the film's dreamscapes recirculate familiar commodified images, converting psychoanalytic depth into therapeutic self-help ideology and thereby dramatising how capitalist "inception" (interpellation) works by making subjects believe its implanted ideas are their own.
Dreams have ceased to be the spaces where private psychopathologies are worked through and have become the scenes where competing corporate interests play out their banal struggles.
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#05
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures · Mark Fisher
<span id="Chapter13.htm_page140"></span>Hauntological Blues: Little Axe
Theoretical move: Fisher develops a theory of sonic hauntology through Little Axe's music, arguing that the combination of blues and dub constitutes a political-aesthetic practice that confronts American slavery as unassimilable trauma by detaching sound from presence (acousmatic production), producing a "dyschronic contemporaneity" that refuses to let the dead be silenced.
These musics were vast collective works of mourning and melancholia.
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#06
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures · Mark Fisher
<span id="Chapter1.htm_page14"></span>‘The Slow Cancellation of the Future’
Theoretical move: Fisher distinguishes clinical depression from hauntological melancholia as a cultural condition, and frames the act of writing/blogging as a working-through that externalises negativity from the individual onto culture — making the personal therapeutic move simultaneously a critical-theoretical gesture about cultural desolation.
Some of these writings were part of the working through of the condition, and it's no accident that my (so far successful) escape from depression coincided with a certain externalisation of negativity
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#07
Seminar I · Freud's Papers on Technique · Jacques Lacan · p.25
**II**
Theoretical move: By tracing Freud's intermediate technique between hypnosis and dialogue (hand-pressure, the lifting of the barrier), Lacan identifies the embryonic form of the analytic relationship to discourse and resistance, using the Lucy R. and Anna O. cases to contrast elegant, compressed symptom-resolution with the extended labour of working-through.
with Anna O. we find the hard labour of working-through possessing all the animation and density of the most modern analytic cases
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#08
Seminar XVI · From an Other to the other · Jacques Lacan · p.155
Seminar 10: Wednesday 5 February 1969
Theoretical move: Lacan distinguishes psychoanalytic discourse from philosophical discourse by insisting that the subject is primordially constituted as an effect of language (as 'o', the bet/zero), and uses a critical reading of Bergler's account of the superego to argue that Durcharbeitung (working-through) and the superego must be rethought together—not as a theatrical agency hitting the ego but as structurally related to identification, the ego ideal, and the limit-encounter in treatment.
Durcharbeitung, l'élaboration as it is translated in French...Analytic elaboration is not at all like that. People on the couch see that it consists in coming back the whole time to the same thing.
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#09
Seminar IV · The Object Relation · Jacques Lacan · p.270
HOW MYTH IS ANALYSED
Theoretical move: By reading Little Hans's case through Lévi-Strauss's structural method for myth analysis, Lacan argues that the signifying elements of Hans's fantasies cannot be fixed to univocal meanings but function as transforming bundles whose traversal moves from the eruption of the real penis to its symbolic accommodation, with the imaginary father (occupied by Freud himself) remaining distinct from both the real and symbolic father—and this structural incompleteness explains both the cure and its limits.
the Durcharbeitung is not, contrary to what is commonly accepted, animated merely by some endless iteration at the end of which what had not been intellectually assimilated will at last work its way under the subject's skin
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#10
A Voice and Nothing More · Mladen Dolar · p.171
Silence
Theoretical move: The analyst's silence does not simply oppose lalangue but is its structural flip side: by creating a void in which the analysand's speech resonates through the loop of the Other, silence dispossesses the voice, returning the message of desire as the voice of the drive, and this trajectory—from subject-supposed-to-know through fantasy to the object voice—is the path of analysis itself, culminating in la passe.
'it' can be tackled, if only by the long road of 'working through' the voice and the loop of the Other.
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#11
Beyond the Pleasure Principle and Other Writings · Sigmund Freud
Introduction
Theoretical move: The passage argues that Freud's theory of the unconscious reveals an irreducible cycle of repetition, submission, and authority-seeking that underlies all politics, love, and therapy, and that the analyst — like Shakespeare's Falstaff — must strategically occupy the position of the primal father/authority in order to work through, rather than merely repeat, these foundational fantasies.
to recall and diagnose love for the authoritarian rather than simply repeating it in displaced forms… the remembering process to resolve an issue that the patient would rather get rid of in the form of an action
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#12
Beyond the Pleasure Principle and Other Writings · Sigmund Freud
Remembering, Repeating, and Working Through
Theoretical move: Freud argues that the transition from hypnotic/cathartic technique to modern free-association analysis reveals that patients do not remember the repressed but instead repeat it as action under conditions of resistance — establishing repetition-compulsion as the central dynamic of transference and the structuring force of analytic work.
Piece by piece the entire illness is brought within the scope and ambit of the treatment, and while the patient experiences it as something intensely real and immediate, it is our job to do the therapeutic work
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#13
Beyond the Pleasure Principle and Other Writings · Sigmund Freud
Remembering, Repeating, and Working Through
Theoretical move: Freud argues that the analyst's central technical task is to contain the patient's compulsion to repeat within the transference as a controlled "playground," transforming acting-out into memory and ultimately into a workable transference neurosis; the decisive therapeutic change comes not from identifying resistance but from working through it—a phase that distinguishes analysis from suggestion-based therapy.
One has to give the patient time to familiarize himself with the resistance now that he is aware of it, to *work his way through it*, to overcome it by defying it and carrying on with the therapy in accordance with the basic rule of analysis.
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#14
Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud
Remembering, Repeating, and Working Through
Theoretical move: Freud pivots from the earlier therapeutic goal of conscious remembering (via catharsis/hypnosis) to the recognition that patients under resistance *repeat* rather than remember — acting out repressed material as present reality — and that this compulsion to repeat is structurally tied to transference and resistance, reframing repetition as the primary clinical phenomenon to be worked through.
Piece by piece the entire illness is brought within the scope and ambit of the treatment, and while the patient experiences it as something intensely real and immediate, it is our job to do the therapeutic work, which consists to a very great extent in leading the patient back to the past.
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#15
Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud
Remembering, Repeating, and Working Through
Theoretical move: Freud argues that the compulsion to repeat, rather than being simply suppressed, must be harnessed via the transference as a controlled "playground" that converts acting-out into remembering; the working-through of resistances — not mere identification of them — is the decisive therapeutic operation that distinguishes psychoanalysis from suggestion.
One has to give the patient time to familiarize himself with the resistance now that he is aware of it, to *work his way through it*, to overcome it by defying it and carrying on with the therapy
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#16
Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud
Introduction
Theoretical move: The passage argues that Freud's theory of group psychology and repetition compulsion reveals all political life—liberal and authoritarian alike—as structured by transference onto leader-figures descended from the primal father, and that the therapeutic response (working-through rather than repeating) mirrors the dynamics staged in Shakespeare's Falstaff/Hal scenes, making literary play a potential rival to psychoanalytic cure.
to recall and diagnose love for the authoritarian rather than simply repeating it in displaced forms… 'prepares himself for a constant battle with the patient, in order to keep within the psychic domain all those impulses that the patient would prefer to divert into the motor domain'
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#17
The Parallax View · Slavoj Žižek · p.130
The Birth of (Hegelian) Concrete Universality out of the Spirit of (Kantian) Antinomies > interlude 1
Theoretical move: Žižek reads Henry James's late style as a literary enactment of the Hegelian passage from Substance to Subject, in which the nominalization of predicates desubstantializes the subject and the loss of ethical substance becomes the very condition for a higher, mediated ethics of intersubjective dependence—a move Žižek then generalizes into a "parallax gap" at the level of political antinomy.
The key difference between Hyacinth and James was that James was able to 'work through' his inability to act, his withdrawal from participation in life, to transpose it into the art of writing.