Thematization
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#01
Powers of Horror: An Essay on Abjection · Julia Kristeva · p.202
POWERS OF HORROR > SEGMENTATION: INTONATION, SYNTAX, SUBJECTIVITY
Theoretical move: Kristeva argues that Céline's colloquial syntactic "segmentation" (theme/rheme displacement, binary intonation) is not regression to pre-symbolic stages but an *over-syntacticism* — a surplus charging of enunciative processes on top of normative syntax — through which the subject of enunciation is constituted and the death drive is symbolically integrated.
the purpose of the displacement is to thematicize the displaced item; the latter then gains the status not of a theme... but of an emphasized rheme