Canonical general 31 occurrences

Sources

ELI5

The word "sources" in this tradition asks: where do things come from — whether that's dreams, ideas, feelings, or whole theories — and whether we can ever really get back to those origins or whether they're always transformed in the process.

Definition

In the corpus, "sources" operates as a genuinely polysemous methodological concept rather than a unified theoretical term. It designates at least four distinct registers: (1) the causal or generative origins of psychic phenomena (dream-sources, sources of ethical feeling, sources of inferiority feelings in Freud); (2) the textual and intellectual genealogy of concepts (Freudian sources for Lacanian seminars, Herbart as the word-source of "Unbewusste," Plutarch as the source of Kierkegaard's snak/Geschwätz); (3) the epistemological ground of disciplines (literary fiction as sources "we have not yet opened up for science," Kant's closing off of the "sources of error" in metaphysics); and (4) the institutional-political question of fidelity to originary teachings (Lacan's "return to Freud" as a contested gesture toward sources, the IPA's dissociation from Freudian concepts). Across these registers, what is at stake is always the relationship between an origin and what is subsequently derived from it — whether that relationship is one of faithful recovery, structural transformation, productive distortion, or irretrievable loss.

The corpus is notably divided on whether "returning to sources" is a valid or even coherent operation. In Freud, source-plurality and overdetermination are foundational: no single dream-source suffices, typical dreams illuminate shared infantile sources, and feelings of inferiority have multiple concurrent sources. In the Lacanian strand, the return-to-sources gesture is explicitly problematized: Lacan distinguishes his "return to Freud" from "the very classical ideal… of a return to the sources," reframing it as a topological second circuit that transforms rather than restores. The philological strand (the Penguin translators, Kornbluh's endnotes) shows that what counts as the "original" Freudian source has been systematically distorted by translation, so that the sources themselves are always already mediated.

Evolution

In Freud's own writings (represented here by the dream-theory and narcissism texts), "sources" is a technical pluralizing move: dream formation is overdetermined by multiple sources (somatic stimuli, day-residues, infantile memories), and no single origin can fully account for the dream content. The Interpretation of Dreams methodology is essentially a taxonomy of sources — external sensory stimuli, internal bodily states, recent impressions, and deep infantile material — none of which is sufficient alone. Similarly in the narcissism essay, Freud marks "one of the sources" of inferiority feelings while identifying the main source as libidinal depletion, performing canonical overdetermination. At this stage (pre-structural Freud), sources are causal-economic: they contribute quantities of excitation that are transformed by the dream-work or the ego's apparatus.

In Lacan's return-to-Freud period (Seminars III, IV, VII — the "return-to-freud" tag), the question of sources shifts to a genealogical-institutional register. In Seminar III, the Schreber Memoirs are rehabilitated as a primary source whose testimony has been distorted by alienist reading habits. In Seminar VII, Lacan invokes a hidden "extremely rich German tradition" of Freud-reception (Bernfeld, Sterba) as sources obscured by French and Anglophone ignorance. Here sources are objects of recovery — things that have been buried, misread, or bypassed — and the methodological imperative is to get back to them against institutional deformation.

By the object-a period (Seminars 13 and 20), Lacan explicitly deconstructs the return-to-sources ideal. In both the parallel transcripts of Seminar 20 (june 1966), he states: "Zurück zu Freud, return to Freud, I said first of all… The very classical ideal… of a return to the sources was not what I affected." The gesture is reframed as a topological operation — a second Möbius circuit around Freud's own path — that transforms rather than reproduces its source. The "sources" are structurally inaccessible as originary plenitude; what is available is the structural effect of the transmission. This move finds a cultural analogue in Seminar 20 (encore-real period), where the Counter-Reformation is described as "a return to sources" whose display is the Baroque — the spectacular embodiment that exceeds and transforms the return it claims to enact.

In the secondary literature and commentators, the problem of sources becomes explicitly philological and translational (the Penguin Freud translator's preface, Kornbluh's endnotes): Freud's original German sources have been systematically distorted by Strachey's Standard Edition, so that Anglophone psychoanalysis has never properly accessed its own Freudian sources. The irony this produces — that even the "original" Freud is mediated — retroactively confirms Lacan's point that a simple return to sources is structurally impossible.

Key formulations

Seminar XIII · The Object of Psychoanalysis (alt. translation)Jacques Lacan · 1965 (p.243)

Zurück zu Freud, return to Freud, I said first of all… The very classical ideal, in all sort of idealisations, of a return to the sources was not what I affected.

Lacan's most explicit self-commentary on the 'return to sources' trope: he claims it while simultaneously disavowing its classical philological form, reframing his method as a structural-topological second circuit rather than nostalgic retrieval.

Seminar XX · Encore: On Feminine Sexuality, the Limits of Love and KnowledgeJacques Lacan · 1972 (p.237)

the Counter-Reformation was a return to sources and Baroque is its display.

Lacan's cultural-historical gloss on what a 'return to sources' actually produces: not the sources themselves but their spectacular, excessive embodiment — a formulation that illuminates his own method by analogy.

Seminar VII · The Ethics of PsychoanalysisJacques Lacan · 1959 (p.96)

We who find ourselves, along with Freud, in a position to give a radically new critique of the sources and the incidence of ethical thought

In the structuralist-ethics period, Lacan aligns himself with Freud as jointly possessing a privileged critical vantage on the 'sources' of ethical feeling — positioning psychoanalysis as a metadiscipline capable of diagnosing where ethics actually comes from.

Realizing Capital: Financial and Psychic Economies in Victorian FormAnna Kornbluh · 2014 (page unknown)

he has from time immemorial been the precursor of science, and so too of scientific psychology . . . for they draw upon sources which we have not yet opened up for science

Freud's own claim, cited by Kornbluh, that creative writers access psychic sources that science has not yet reached — establishing literature as an epistemological prior to psychoanalytic knowledge.

Beyond the Pleasure Principle and Other WritingsSigmund Freud · 1920 (page unknown)

Freud's ideas have entered and conditioned modern consciousness not in their original German form, but mainly through English translations, most notably those enshrined in the Standard Edition

The translators' argument that the 'sources' of modern psychoanalytic knowledge are not the German originals but systematically distorted English versions — making source-access a problem of translation politics as much as scholarly recovery.

Cited examples

Napoleon I.'s dream of the bombardment of the Austrians, triggered by an explosion while sleeping in a carriage (history)

Cited by The Interpretation of DreamsSigmund Freud · 1899 (page unknown). Freud uses Napoleon's dream to illustrate how an objective sensory stimulus (a real explosion) becomes the source of elaborate dream content (the crossing of the Tagliamento), while also showing that the external stimulus alone cannot account for the dream's specific form — pointing to the plurality and overdetermination of dream sources.

Maury's guillotine dream, in which a long narrative culminating in execution was triggered by a bedpost falling on his neck (other)

Cited by The Interpretation of DreamsSigmund Freud · 1899 (page unknown). The celebrated Maury dream demonstrates that a single somatic stimulus (neck pressure) generates an elaborate dream narrative drawing on revolutionary history, illustrating both the inadequacy of external stimuli as sole dream sources and the dream-work's capacity to integrate multiple sources into a unified product.

The Counter-Reformation as a historical 'return to sources,' with the Baroque as its spectacular display (history)

Cited by Seminar XX · Encore: On Feminine Sexuality, the Limits of Love and KnowledgeJacques Lacan · 1972 (page unknown). Lacan invokes the Counter-Reformation to model what a 'return to sources' structurally produces: not the sources themselves but an exuberant, excessive display (Baroque art, martyrdom imagery in Roman churches) that regulates jouissance through the body — functioning as a cultural analogue for the analytic question of how enjoyment is historically organized.

Kierkegaard's snak traced back to Plutarch's 'Concerning Talkativeness' through German translations (literature)

Cited by The Chattering Mind: A Conceptual History of Everyday TalkSamuel McCormick · 2020 (page unknown). McCormick's philological tracing shows how a conceptual source (Plutarch's adoleschia) travels through translation (German Geschwätz) to become the origin of Kierkegaard's philosophical concept and Heidegger's Geschwätz, and ultimately reaches Lacan — demonstrating how source-transmission is always a transformation.

Freud's Jokes and their Relation to the Unconscious as the primary source for the 'omega operation' (literature)

Cited by Seminar XIV · The Logic of Phantasy (alt. translation)Jacques Lacan · 1966 (page unknown). Lacan explicitly directs his audience to 'soak yourself in' Freud's Jokes book as the foundational source for understanding the operation he is elaborating, positioning this Freudian text as the privileged site of transmissible psychoanalytic knowledge rather than any institutional or doctrinal summary.

Tensions

Within the corpus

Whether a 'return to sources' is a valid methodological gesture or a structurally impossible classical ideal

  • Lacan (Seminar 20 / 1966): The 'return to Freud' slogan does NOT mean a classical return to sources. 'The very classical ideal… of a return to the sources was not what I affected.' The method is a second topological circuit that transforms rather than restores. — cite: jacques-lacan-seminar-13-1 p.243

  • Lacan (Seminar 13 / 1966, parallel transcript, and Seminar VII): The return to Freudian sources is invoked positively and prescriptively — Freud's Three Essays must be the starting point for discussing perversion ('You have to start from there once and for all'), and Freudian/Lacanian theory offers 'a radically new critique of the sources' of ethical thought, implying recovery of Freudian foundations as the therapeutic move. — cite: jacques-lacan-seminar-13 p.273

    This tension — between disavowing and enacting a return to sources — runs through Lacan's entire project and reflects the fundamental ambiguity of the 'retour à Freud' slogan.

Whether Freudian sources are recoverable (and in what form)

  • Hook et al. (Reading Lacan's Écrits, p.132): Freudian sources can be mapped differentially onto Lacanian seminars — 'The Psychoses relies heavily on Freud's reading of the Schreber case, while Formations of the Unconscious employs his work on jokes' — treating the sources as determinate texts that shape specific theoretical developments. — cite: derek-hook-calum-neill-stijn-vanheule-reading-lacan-s-ecrits-from-the-freudian-t p.132

  • Penguin Freud translators: Freud's actual sources (German originals) have been so systematically distorted by the Standard Edition that what circulates as 'Freud' in Anglophone psychoanalysis is already a transformation of sources — making source-recovery a problem of translation politics rather than scholarly identification. — cite: penguin-modern-classics-sigmund-freud-beyond-the-pleasure-principle-and-other-wr p.null

    These positions pull in opposite directions: one treats Freudian texts as stable, mappable sources; the other treats them as always-already mediated and distorted at the level of transmission.

Across frameworks

vs Frankfurt School

Lacanian: For Lacan, 'sources' in the context of returning to Freud designates not an original plenitude to be recovered but a topological structure that is transformed in every circuit of transmission. The 'return to Freud' is explicitly distinguished from philological or historicist source-recovery; what is at stake is the structural effect, not the original intention. Sources are, in a sense, constitutively inaccessible as origins.

Frankfurt School: Frankfurt School critical theory (Adorno, Horkheimer, Benjamin) treats the recovery of suppressed sources — whether in the form of Marxist critique of ideology, Benjamin's dialectical images, or Adorno's negative dialectics — as a genuinely redemptive gesture. The 'sources' of damaged life or authentic experience can be recovered through immanent critique, even if they are always mediated by historical forces. The genealogical project is not structurally impossible but politically urgent.

Fault line: Lacan's topological anti-historicism (sources cannot be recovered, only re-circuited) versus Frankfurt School's redemptive-critical historicism (suppressed sources must and can be recovered through immanent critique).

vs Humanistic Self Actualization

Lacanian: For Lacan, there is no originary plenitude of the self to which one can return. The 'sources' of the subject are constitutively marked by lack, division, and alienation in the signifier. Any appeal to an authentic inner source (desire, feeling, potential) misrecognizes the fundamental de-centering of the subject — such a source is always already the Other's desire.

Humanistic Self Actualization: Humanistic psychology (Rogers, Maslow) posits a genuine organismic source of authentic selfhood — the 'actualizing tendency' or 'organismic valuing process' — from which the individual has become estranged through conditions of worth and social conditioning. Therapy consists in re-establishing contact with this inner source, which is posited as benign, growth-oriented, and fundamentally trustworthy.

Fault line: Whether the 'source' of the subject is an originary plenitude (humanistic: yes, and it can be recovered) or a constitutive lack structured by the Other (Lacanian: the very idea of an inner source misrecognizes the subject's fundamental alienation).

All occurrences

Where it appears in the corpus (29)

  1. #01

    The Interpretation of Dreams · Sigmund Freud

    **TOWARD A POETICS OF TERROR FOR THE CULTURE OF THE REAL: OUR DREAM OF CREATIVE READING**

    Theoretical move: This passage, drawn from Freud's early dream theory, establishes that objective sensory stimuli during sleep are insufficient as sole dream sources, and that the psychic transformation of stimuli into dream content requires additional determining factors beyond the stimulus itself — pointing toward the independence and overdetermination of dream formation.

    Examples of this nature make it appear that the objective stimuli during sleep are the most firmly established of all the dream sources; indeed, it is the only stimulus which plays any part in the layman's knowledge.
  2. #02

    The Interpretation of Dreams · Sigmund Freud

    **(A) RECENT AND INDIFFERENT IMPRESSIONS IN THE DREAM**

    Theoretical move: Freud argues that every dream has a connection to an impression from the immediately preceding day (the "dream-day"), and that older memories only enter dream content through a chain of thought anchored in a recent impression — demonstrating this through detailed analysis of the Cyclamen monograph dream, where a daytime perception triggers associative chains linking wife, forgetting, cocaine, and professional ambition.

    If I now consult my own experience concerning the source of the elements which appear in the dream... some reference to the experiences of the day which has most recently passed is to be found in every dream.
  3. #03

    The Interpretation of Dreams · Sigmund Freud

    **(D) TYPICAL DREAMS**

    Theoretical move: Freud uses the analysis of "typical dreams" (especially nakedness/exhibition dreams) to argue that such dreams are universal because they draw on shared infantile sources—specifically childhood exhibitionism preceding the acquisition of shame—and that the dream-work's distortion through wish-fulfilment and repression explains their characteristic structure, including the contradictory indifference of spectators.

    they probably all come from the same sources with every person, that they are thus particularly suited to give us information upon the sources of dreams
  4. #04

    Reading Lacan's Écrits: From 'The Freudian Thing' to 'Remarks on Daniel Lagache' · Derek Hook, Calum Neill & Stijn Vanheule (eds.) · p.128

    [The Situation of Psychoanalysis and the Training of Psychoanalysts in 1956](#ch05.xhtml_tocbook-part-005) > From mental to dental: the analyst and the tooth

    Theoretical move: The passage uses Lacan's satirical attack on American ego psychology and the IPA's institutional structure to argue that ego psychology functions as a hypnotic "life support" keeping a dead psychoanalysis artificially alive, and that a return to Freudian speech is necessary to allow authentic psychoanalysis to be reborn.

    psychoanalysis has managed to sustain itself without any reference to Freudian concepts (the 'forces of dissociation to which Freud's heritage is being subjected')
  5. #05

    Reading Lacan's Écrits: From 'The Freudian Thing' to 'Remarks on Daniel Lagache' · Derek Hook, Calum Neill & Stijn Vanheule (eds.) · p.132

    [The Instance of the Letter in the Unconscious, or Reason Since Freud](#ch05.xhtml_tocbook-part-006) > Context

    Theoretical move: This contextual introduction argues that "The Instance of the Letter" must be read as a multi-front intervention — into structural linguistics, continental philosophy (Heidegger, Hegel via Kojève), the politics of psychoanalytic institutions, and the art of rhetoric — in order to grasp the full theoretical stakes of Lacan's reinvention of the Freudian unconscious through the concepts of metaphor, metonymy, and the letter.

    The sources in Freud's work for these two seminars differ. 'The Psychoses' relies heavily on Freud's reading of the Schreber case, while 'Formations of the Unconscious' employs his work on jokes (witz). Both reference Freud's work on dreams.
  6. #06

    Seminar XI · The Four Fundamental Concepts of Psychoanalysis (alt. translation) · Jacques Lacan · p.96

    THE SPLIT BETWEEN THE EYE AND THE GAZE > ANAMORPHOSIS > ANAMORPHOSIS

    Theoretical move: The passage traces the trajectory from Cartesian reflexive self-certainty through idealist representation (Berkeley) and Hegelian active self-consciousness to Merleau-Ponty's attempt to restore a pre-reflective ground of vision, staging the problem of the subject's place in the scopic field as one that these philosophical moves fail to resolve.

    he chooses to withdraw, in order to propose a return to the sources of intuition concerning the visible and the invisible
  7. #07

    Seminar XIII · The Object of Psychoanalysis (alt. translation) · Jacques Lacan · p.243

    **Seminar 20: Wednesday 1 June 1966**

    Theoretical move: Lacan articulates the objet petit a as a topological structure (hole) that is "represented" precisely by not being representable, and reframes his entire method as a second circuit around Freud's teaching—not a mere return to sources but a non-orientable, Möbius-strip-like redoubling that transforms meaning through structure rather than reduplication.

    Zurück zu Freud, return to Freud, I said first of all… The very classical ideal, in all sort of idealisations, of a return to the sources was not what I affected.
  8. #08

    Seminar XIII · The Object of Psychoanalysis · Jacques Lacan · p.243

    **Seminar 20: Wednesday 1 June 1966**

    Theoretical move: Lacan argues that the objet petit a is a topological structure identifiable with the "hole" in surfaces like the torus, cross-cap, and Klein bottle—not a represented object but the very condition of representation—and frames his entire method as a second circuit of Freud's own Möbius-like path, where repetition transforms rather than reduplicates, culminating in the division of the subject.

    Zurück zu Freud, return to Freud, I said first of all, at a moment when this took on its sense from the confused manifestations of a colossal deviation in analysis.
  9. #09

    Seminar XIII · The Object of Psychoanalysis · Jacques Lacan · p.273

    **Seminar 22: Wednesday 15 June 1966**

    Theoretical move: Lacan argues that the standard format of the psychoanalytic 'scientific paper' distorts clinical truth by constituting a 'conspiracy against the patient', and uses the example of perversion to insist that genuine scientific rigour requires returning to Freud's foundational claim that perversion is normal—reframing the clinical problem as why abnormal perversion exists at all, a move he aligns with Foucault's historical problematization of madness and medicine.

    Someone said, someone brought forward, timidly, these Three essays on sexuality, the fact is that perversion is normal.
  10. #10

    Seminar XIV · The Logic of Phantasy (alt. translation) · Jacques Lacan · p.65

    the smallest whole number which is not written on this board > **Seminar 6: 21 December 1966**

    Theoretical move: Lacan uses a digressive, semi-autobiographical register to position his own discourse against misappropriation and institutional misreading, deploying the cogito circuit, Cantor's fate, and the Platonic figures of Poros and Penia to frame the stakes of transmitting psychoanalytic knowledge — arguing that the discourse's justification lies not in institutional recognition but in the resonance it produces in its audience's number.

    to procure for yourself the Jokes book, and to soak yourself in it … it is the first thing - from my past seminars - that I would try to give an equivalent of in writing
  11. #11

    Seminar XVII · The Other Side of Psychoanalysis · Jacques Lacan · p.203

    Seminar 11: Wednesday 15 April 1970

    Theoretical move: Lacan, through a detailed philological dialogue with Caquot, uses Sellin's textual manipulations of Hosea as a case study in how a pre-existing interpretive thesis (the murder of Moses) distorts exegetical method, implicitly staging the problem of the subject's desire overdetermining the reading of the Other's text.

    you see the artifices through which, because one cannot call them anything else, by what artifices Sellin has managed to make the text of Hosea say something that it certainly did not intend to say
  12. #12

    Seminar XVIII · On a Discourse That Might Not Be a Semblance · Jacques Lacan · p.87

    *Lacan writes on the board: "L 'achose"*

    Theoretical move: Lacan argues that writing is not the representation of speech but rather the material support that makes scientific and psychoanalytic formalization possible, and uses this to sharpen the claim that the sexual relationship cannot be written except through the phallus — while insisting that the unconscious is structured like a language *within which* its writing appears, distinguishing the Letter from the Signifier.

    there is someone called, I no longer know what, Fu-hsien... it is called the Chouo-wen, namely, precisely, what is said qua written.
  13. #13

    Seminar XX · Encore: On Feminine Sexuality, the Limits of Love and Knowledge · Jacques Lacan · p.237

    J.Lacan-... of this? > **Seminar 11 : Wednesday 8 May 1973**

    Theoretical move: Lacan argues that analytic discourse diverges from scientific discourse precisely because the 'economy of enjoyment' cannot be rendered as a mathematical device, yet mythology, the Counter-Reformation, and Baroque art all attest to historically contingent attempts to regulate jouissance — attempts that are 'founded in the gap proper to the sexuality of the speaking being' and that analytic discourse may partially continue.

    the Counter-Reformation was a return to sources and Baroque is its display.
  14. #14

    Seminar III · The Psychoses · Jacques Lacan · p.219

    **XVI**

    Theoretical move: Lacan argues that the psychotic subject's testimony about their relationship to language must be taken literally rather than filtered through academic clinical categories, because the psychotic's "turning" in relation to language reveals a dimension constitutive of all human subjectivity — namely, the half-external position every subject occupies with respect to the signifier. The Schreberian case is thus elevated from pathological curiosity to methodological key for understanding the signifier/signified relation and the ego's grounding in the Other.

    we are apparently willingly going to become secretaries to the insane... not only shall we be his secretaries, but we shall take what he recounts literally - which till now has always been considered as the thing to avoid doing.
  15. #15

    Seminar IV · The Object Relation · Jacques Lacan · p.231

    ON THE OEDIPUS COMPLEX > THE SIGNIFIER IN THE REAL

    Theoretical move: Lacan argues that the Symbolic order — demonstrated through the internal lawfulness of a combinatorial letter-sequence and the lion/counting anecdote — introduces an originary dimension into the Real that is irreducible to experience, and then deploys this argument to read the pre-phobic structure of little Hans's imaginary phallus as the condition of possibility for the eruption of castration anxiety.

    It seems that for some minds these items entail very considerable resistance. This path nevertheless struck me as being a more straightforward one … than recommending … a reading of Frege
  16. #16

    Seminar VII · The Ethics of Psychoanalysis · Jacques Lacan · p.96

    **VII**

    Theoretical move: Lacan introduces sublimation as the positive, "other side" of the psychoanalytic critique of ethics, arguing that the plasticity and displacement-structure of the drives (*Triebe*) — irreducible to instinct and governed by the play of signifiers — is the necessary starting point for any theory of sublimation, while simultaneously exposing the paradoxical cruelty of the moral conscience as a parasite fed by the very satisfactions it demands.

    Sublimation is, in effect, the other side of the research that Freud pioneered into the roots of ethical feeling... We who find ourselves, along with Freud, in a position to give a radically new critique of the sources and the incidence of ethical thought
  17. #17

    Seminar VII · The Ethics of Psychoanalysis · Jacques Lacan · p.164

    **XI** > **XII** > **A critique of Bernfeld**

    Theoretical move: Lacan critiques Bernfeld's account of sublimation as dependent on a synchrony with repression and the Ich/Libidoziele distinction, arguing instead that sublimation must be articulated around das Ding — a primordial, non-object — which precedes the ego's aims and anchors the properly Freudian ethics/aesthetics Lacan is developing throughout Seminar VII.

    In France, as in the English-speaking countries, we are quite ignorant of a whole, extremely rich German tradition, which shows that Freud, in fact, was the object of readings that were careful and extensive, or, in a word, immense.
  18. #18

    The Triumph of Religion · Jacques Lacan · p.75

    IV. Closing in on the Symptom

    Theoretical move: Lacan defends the productive opacity of the Écrits as a formal feature rather than an accidental one, while positioning the Freudian unconscious as a genuinely unprecedented discovery, and introduces the concept of the 'parlêtre' (speaking being) as his own reformulation of the unconscious, tying language and sexuality together in a way that psychoanalysis uniquely illuminates—before religion re-absorbs the symptom.

    Just because he borrowed the word Unbewusste from I forget whom - [Johann Friedrich] Herbart - doesn't mean it had anything to do with what the philosophers called 'unconscious.'
  19. #19

    Critique of Pure Reason · Immanuel Kant

    THE CRITIQUE OF PURE REASON > PREFACE TO THE SECOND EDITION, 1787

    Theoretical move: Kant argues that the Critique of Pure Reason serves reason by replacing dogmatic metaphysics with a critical method that demarcates the limits of speculative reason, thereby protecting morality and religion from both dogmatism and scepticism, while preserving the public's rational convictions on their own proper, non-scholastic grounds.

    it is the highest and weightiest concern of philosophy to render it powerless for harm, by closing up the sources of error
  20. #20

    Beyond the Pleasure Principle and Other Writings · Sigmund Freud

    Notes

    Theoretical move: This endnotes passage performs terminological clarification, tracing the evolution of Freud's drive nomenclature from the ego/sexual drive opposition through narcissistic libido to the final antithesis of Eros (life drives) and death drives, while also noting translation controversies (Standard Edition bowdlerizations) and situating Freud's speculations within a broader intellectual genealogy (Spielrein, Ferenczi, Plato, Upanishads).

    These speculations have been anticipated to a very considerable extent by Sabina Spielrein in a paper that is rich in substance and ideas but not, to my mind, entirely lucid.
  21. #21

    Beyond the Pleasure Principle and Other Writings · Sigmund Freud

    Translator's Preface

    Theoretical move: The passage argues that the Standard Edition's systematic mistranslations and bowdlerizations of Freud have ideologically transformed his work from a daring, open-ended inquiry into a dogmatic corpus, and that new translations must restore both his precise meanings and his stylistic voice.

    Freud's ideas have entered and conditioned modern consciousness not in their original German form, but mainly through English translations, most notably those enshrined in the Standard Edition
  22. #22

    Beyond the Pleasure Principle and Other Writings · Sigmund Freud

    Notes

    Theoretical move: This passage consists of editorial and translator's notes to Freud's "On the Introduction of Narcissism," critiquing Standard Edition mistranslations and clarifying key Freudian technical terms; it is primarily philological/bibliographic apparatus with limited direct theoretical work.

    Freud's term – used here for the first time in his œuvre – is Anlehnungstypus. Alas, it cannot be rendered directly into English, and so 'imitative type' is necessarily an approximate rather than a precise translation
  23. #23

    The Fidelity of Betrayal: Towards a Church Beyond Belief · Peter Rollins · p.46

    <span id="title.html_page_iii"></span>THE FIDELITY OF BETRAYAL > <span id="contents.html_page_vii"></span>CONTENTS > Second naïveté

    Theoretical move: The passage argues that a "second naïveté" — a post-critical return to devotional engagement with sacred texts — is the proper mode of accessing the primordial transforming Event (the Real) that overdetermines scriptural language, insofar as that Event remains irreducible to any propositional, academic, or descriptive capture, including within the text itself.

    it is solidly directed at the task of connecting with the primordial source of the text in all its terrifying and transformative dimensions.
  24. #24

    The Chattering Mind: A Conceptual History of Everyday Talk · Samuel McCormick · p.42

    Barbers and Philosophers > To which his friend replies: > **Traveler's Logorrhea** > **Communicable Disease**

    Theoretical move: The passage traces a conceptual genealogy of "chatter" (snak/Geschwätz/adoleschia) from Plutarch through Kierkegaard to Heidegger and Lacan, arguing that the medical metaphor of talkativeness as a communicable disease—flowing through barbers, journalists, and audiences alike—is the structuring logic behind Kierkegaard's critique of everyday talk as a collective, self-perpetuating civic pathology.

    his primary sources seem to have been German translations of a single Greek text: Plutarch's essay 'Concerning Talkativeness.'
  25. #25

    Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud

    III

    Theoretical move: Freud theorizes the dynamic economy of narcissism by mapping the reciprocal flows between ego-libido and object-libido: self-feeling (self-esteem) rises and falls with narcissistic investment, the ego-ideal mediates this economy by imposing repression on object-choice, and the social/mass dimension of the ego-ideal is grounded in redirected homosexual libido and guilty conscience.

    Here, so it seems to me, may lie one of the sources of the feelings of inferiority so readily avouched by those suffering from transference neuroses.
  26. #26

    Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud

    Notes

    Theoretical move: This notes section traces the conceptual evolution of Freud's drive theory from the sexual/ego drive opposition through narcissism and Eros to the final life drive/death drive antithesis, while also documenting translation controversies (Standard Edition bowdlerizations) and cross-cultural precursors to Platonic myth.

    I should like to point out that essentially the same theory already occurs in the Upanishads… K[onrat] Ziegler systematically explores the history of this particular notion prior to Plato, and traces it back to Babylonian conceptions.
  27. #27

    Beyond the Pleasure Principle and Other Writings (alt. ed.) · Sigmund Freud

    Notes

    Theoretical move: This passage consists of editorial and translator's notes to Freud's "On the Introduction of Narcissism," correcting Standard Edition mistranslations and clarifying key Freudian terms; it is primarily philological and bibliographic rather than theoretically substantive, though it touches on Narcissism, the Ego Ideal, libido cathexis, and the censorial agency (superego precursor).

    'Cathexis' is an ugly and opaque term – coined by James Strachey – that has nothing of the apparent simplicity of Freud's metaphor Besetzung.
  28. #28

    Theory Keywords · Various · p.93

    **Vicissitude**

    Theoretical move: The passage deploys Freud's taxonomy of drive vicissitudes — reversal into its opposite (change of aim or content), turning round upon the self, repression, and sublimation — as modes of defence against the drive, with the theoretical pivot being the distinction between transformation of *aim* versus transformation of *object* or *content*. The second half of the passage is a non-substantive bibliography of sources.

    These are (most of) the titles I pulled quotes from
  29. #29

    Žižek Responds! · Todd McGowan & Dominik Finkelde (eds.) · p.253

    Žižek Responds! > [On Žižek’s Interpretation of Lacan’s “Kant with Sade”](#contents.xhtml_ch10) > Notes

    Theoretical move: This endnotes passage performs scholarly philological critique of Žižek's reading of Lacan's "Kant with Sade," documenting systematic misattributions, citation errors, and misreadings across Žižek's corpus while tracking the precise textual sources in Sade, Lacan's Seminar VII, and related literature for concepts such as the second death, desire, alienation/separation, and the quadripartite structure of Lacanian theory.

    the way in which Žižek 'quotes' the system of Pope Pius VI in his most recent works… borders on the unforgivable, at least from a scholarly perspective. In both of these books, the long quote 'from Sade' that is set apart from the rest of the text is in fact a literal quote from a book by Aaron Schuster