Rhythm
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#01
Powers of Horror: An Essay on Abjection · Julia Kristeva · p.170
POWERS OF HORROR > THOSE FEMALES WHO CAN WRECK THE INFINITE > LIFE? A DEATH
Theoretical move: Kristeva reads Céline's identification with Semmelweis as the paradigmatic structure of abjection: the confusion of life/death and feminine/masculine at the bodily threshold (puerperal fever) drives both the writer's vocation and his particular resolution of the Oedipal situation—not through neurotic triangulation but through simultaneous occupation of all three positions (father/son/feminine), making style itself the impossible third party that separates while touching.
no identity, rhythm, rotation, rigadoon