Nonsense
ELI5
Non-sense, for Lacan, isn't just gibberish or meaninglessness — it's the precise spot in language where words refuse to fully become meaning, and that refusal is actually what marks that a subject (a person) is present and speaking.
Definition
In Lacan's Seminar XII (1964–65), "non-sense" (non-sens) names a precise structural category that must be distinguished from two neighboring notions: the absence of meaning (the merely "unmeaning" or non-signifiant) and the plenitude of semantic meaning. Non-sense is, rather, the face that sense presents on the side of the signifier—the barrier or limit-point at which the signifier refuses to pass over into the signified, a refusal that is constitutive of the signifier's very operation. It is not a failure or deficiency of language but a necessary structural effect of the fact that there is no metalanguage: every discourse that would master or totalise meaning from above is always already caught in the primary use of language, and the point where this enclosure becomes manifest is precisely non-sense.
Non-sense thus functions in two registers simultaneously. On one side, it is the "icy face, the sheer one" that marks the limit between the effect of the signifier and what returns to it as reflected signified content—a formulation Lacan derives from his analysis of the Witz (the joke), where meaning and non-meaning flicker at a structural edge. On the other side, non-sense is proposed as the positive signifier of the subject's presence: "the maintaining of nonsense as signifier of the presence of the subject." It is not what analytic experience avoids but what it properly explores—not the infinite ocean of meanings but the barrier itself. Psychoanalytic communication, unlike codified or "identical" communication, is held to be possible only through this non-sense, not despite it.
Evolution
All four occurrences come from a single concentrated period: Seminar XII (1964–65), tagged "object-a," which Lacan titled "Crucial Problems for Psychoanalysis." This situates non-sense squarely within the theoretical moment when Lacan is consolidating his reworking of the signifier against Saussurean meaning-theory and against the Hegelian dialectical sublation of contradiction into higher sense. At this stage, non-sense is explicitly opposed to the "ocean of meanings" that analytic experience might otherwise dissolve into.
Within Seminar XII itself there is a small but notable internal development across the two chunks. The earlier passage (pp. 7/11) introduces non-sense descriptively—as "the face of refusal that sense presents on the side of the signifier"—and distinguishes it from "unmeaning." The later passage (pp. 22–23) sharpens the formulation: non-sense becomes "the icy face, the sheer one, where there is marked this limit between the effect of the signifier and what returns to it by reflection of signified facts," and then, most decisively, it is elevated to being "the signifier of the presence of the subject." This is a significant escalation: from a structural barrier to a positive marker of subjectivity, linked to the Socratic atopia (the being-out-of-place that characterises Socrates's position in dialogue).
The concept is developed entirely in Lacan's own primary voice in these passages; there are no secondary commentators represented in the supplied corpus. The absence of metalanguage thesis, borrowed polemically from Bertrand Russell's own reductio in the Principia Mathematica, provides the philosophical scaffolding: because no discourse can stand outside language to adjudicate it, the point where discourse touches its own limit is non-sense, and that point is where analysis must work. This connects non-sense to the co-occurring concepts of the point de capiton (the quilting point that retroactively fixes meaning) and the master signifier, though those concepts are implied rather than directly articulated in these passages.
Key formulations
Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) (p.11)
what is explored is not the ocean, the infinite sea of meanings, it is what happens in the very measure that it reveals to us this barrier of 'non-sense'. Which does not mean without meaning, which is the face of refusal that sense presents on the side of the signifier.
This is the founding definitional move: non-sense is explicitly distinguished from meaninglessness and assigned a precise structural location—the refusal-face on the signifier's side—making it a productive limit rather than a defect.
Seminar XII · Crucial Problems for Psychoanalysis (p.11)
the face it presents on the side of the signified, is properly what is not 'unmeaning', non-signifiant, but 'meaningless'... it is not possible to properly punctuate what is involved in our analytic experience, except by seeing that what is explored is not the ocean, the infinite sea of meanings, it is what happens in the very measure that it reveals to us this barrier of 'non-sense'.
Consolidates the terminological distinction (unmeaning vs. meaningless vs. non-sense) and directly stakes the clinical claim: analytic experience is oriented by this barrier, not by the pursuit of meaning.
Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) (p.22)
I called, which I evoked, which I highlighted the last time under the term of non-sense, as being the icy face, the sheer one, where there is marked this limit between the effect of the signifier and what returns to it by reflection of signified facts
Introduces the topological metaphor ('icy face, sheer one') and anchors non-sense to the structural articulation between signifier effect and signified reflection, linking it to the earlier analysis of the Witz.
Seminar XII · Crucial Problems for Psychoanalysis (p.23)
The maintaining of nonsense as signifier of the presence of the subject, the Socratic atopia, is essential for this very search.
The most concentrated formulation: non-sense is elevated from a structural barrier to a positive signifier of the subject's presence, and the Socratic figure is invoked to show that this non-place is not a failure but a necessary analytic posture.
Cited examples
Lewis Carroll's nonsense sentence 'Colorless green ideas sleep furiously' (attributed in context to linguistic analysis, read through consonantal patterning) (literature)
Cited by Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) (p.11). Lacan uses the analysis of this sentence's consonantal battery to show that poetic or literary sense operates at the level of the signifier's material resonance rather than semantic content. The sentence's logical absurdity ('colorless green') is precisely what forces attention to the signifier itself, making it an exemplar of how non-sense is the proper object of exploration rather than a failure to be overcome.
Racine's lines 'Songe, songe, Céphise, à cette nuit cruelle / Qui fut pour tout un peuple une nuit éternelle' (literature)
Cited by Seminar XII · Crucial Problems for Psychoanalysis (p.11). Lacan analyses how the sibilant and consonantal repercussions across these two lines ('Céphise' echoing in 'fut', the fourfold 't') constitute their poetic sense at the level of the signifier, even though 'an eternal night' is logically a contradiction. This illustrates that sense at the level of the signifier can be generated through patterns that are strictly non-sense at the semantic level.
Bertrand Russell's Principia Mathematica and its self-undermining attempt to found a complete metalanguage (other)
Cited by Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) (p.22). Lacan reads Russell's own reductio—his demonstration that the project of an exhaustive metalanguage collapses—as the philosophical confirmation that language cannot stand outside itself. This impossibility is what generates non-sense as a structural necessity: the limit where discourse touches its own ground.
Tensions
Within the corpus
no internal disagreements surface in the corpus for this concept
Across frameworks
vs Frankfurt School
Lacanian: For Lacan, non-sense is not a pathology to be overcome but a structural feature of language that marks the subject's irreducible presence. The limit between signifier effect and signified reflection cannot be dialectically sublated; it must be maintained as the operative medium of analytic practice. Non-sense is precisely what resists Hegelian Aufhebung—the negation that preserves and elevates contradiction into higher meaning.
Frankfurt School: The Frankfurt School, especially Adorno and Horkheimer, treats the eruption of non-sense or irrationality in modern culture primarily as a symptom of administered society and the dialectic of Enlightenment—a failure of reason that critical theory aims to diagnose and counteract through immanent critique. Where non-sense appears, the goal is to trace its social-historical conditions and recover the emancipatory potential suppressed within it, not to maintain it as such.
Fault line: The core disagreement is whether non-sense is a structural necessity to be inhabited (Lacan) or a historically produced distortion to be critically worked through and overcome (Frankfurt School). Lacan's position forecloses any dialectical redemption of non-sense; the Frankfurt School sees such redemption as precisely the task of critique.
vs Object Oriented Ontology
Lacanian: Lacan's non-sense is a function of the signifier and the subject's entry into language; it is constitutively tied to the symbolic order and to the impossibility of metalanguage. Non-sense is not a property of objects in the world but of the subject's relation to the signifying chain, marking the point where the chain cannot close over itself.
Object Oriented Ontology: Object-Oriented Ontology (Harman, Bryant) would resist grounding non-sense in language or subjectivity at all. For OOO, every object withdraws from full relation—whether to other objects or to language—and this withdrawal is ontological, not linguistic. What Lacan calls non-sense, OOO might reframe as the irreducible withdrawal of the real object from any symbolic or relational capture, a feature of being itself rather than of the subject in language.
Fault line: The fault line is whether the structural limit (non-sense/withdrawal) is indexed to the subject-in-language or belongs to objects as such. Lacan anthropocentrically anchors non-sense in the signifier and the subject; OOO democratises withdrawal across all entities, dissolving the subject-privilege Lacan's account requires.
vs Cbt
Lacanian: Lacan insists that non-sense is not a cognitive error to be corrected but the structural condition of the subject's existence in language. Maintaining non-sense—rather than resolving it into coherent meaning—is what analytic practice requires. The analyst occupies the place of the subject's lack precisely by not offering mastery or interpretive closure.
Cbt: Cognitive-Behavioural Therapy treats thought patterns that appear 'nonsensical' or irrational (catastrophising, magical thinking, logical distortions) as maladaptive schemas to be identified, challenged, and restructured into more adaptive, reality-congruent cognitions. The therapeutic goal is the elimination of non-sense in favour of functional meaning.
Fault line: CBT and Lacanian analysis disagree fundamentally on whether non-sense is a problem (a cognitive defect remediable by technique) or a structural given (the very medium through which the subject is present and through which analysis must pass). For CBT, successful therapy moves away from non-sense; for Lacan, it moves toward its productive maintenance.
All occurrences
Where it appears in the corpus (14)
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#01
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part29.xhtml_ncx_173"></span><span id="9781134780112_Part29.xhtml_page_0195"></span>***S*** > <span id="9781134780112_Part29.xhtml_ncx_198"></span>**Suggestion**
Theoretical move: The passage distinguishes psychoanalysis from suggestion/hypnosis by arguing that psychoanalysis operates precisely where suggestion fails: by maintaining the distance between identification (I/ego-ideal) and objet petit a, rather than collapsing them as hypnosis does, and by directing the treatment rather than the patient, embracing nonsense over signification, and holding the analyst's knowledge as merely presumed rather than real.
the analyst orientates his interpretations around meaning (sens) and its correlate, nonsense. Thus whereas in psychotherapy there is an attempt to avoid the ambiguity and equivocation of discourse, it is precisely this ambiguity which psychoanalysis thrives on.
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#02
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part19.xhtml_ncx_87"></span><span id="9781134780112_Part19.xhtml_page_0105"></span>***I*** > <span id="9781134780112_Part19.xhtml_ncx_95"></span>**interpretation**
Theoretical move: Lacan's renewed theory of interpretation displaces the classical model (which unmasks hidden meaning via symbolism/decoding) in favour of a technique that disrupts meaning altogether, reducing signifiers to non-sense so that irreducible, determinant signifiers emerge — thereby inverting the signifier/signified relation and returning the analysand's message to him in its true, inverted form.
interpretation causes 'irreducible signifiers' to arise, which are 'non-sensical' (S11, 250)
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#03
An Introductory Dictionary of Lacanian Psychoanalysis · Dylan Evans
<span id="9781134780112_Part29.xhtml_ncx_173"></span><span id="9781134780112_Part29.xhtml_page_0195"></span>***S*** > <span id="9781134780112_Part29.xhtml_ncx_185"></span>**Signification**
Theoretical move: Lacan's concept of 'signification' undergoes a trajectory from a vague association with meaningfulness to a precise, imaginary-order process in which the play of signifiers produces the illusion of the signified through metonymy and metaphor, with the bar in the Saussurean algorithm marking not a bond but a rupture—a theoretical move that radically inverts Saussure's stable sign relation.
Psychoanalytic interpretations go against signification and bear on meaning and its correlate, non-meaning (non-sens).
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#04
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures · Mark Fisher
<span id="Chapter14.htm_page145"></span>Nostalgia for Modernism: The Focus Group and Belbury Poly
Theoretical move: Fisher uses hauntology as the organising framework to read a cluster of experimental/electronic artists (Richter, Position Normal, Mordant Music, John Foxx) as staging temporal dislocation, entropic memory, and a ghostly relation to lost modernist futures, arguing that sound-recording, photography, and Surrealism share an inherently hauntological dimension that these artists collectively exploit.
Position Normal can be fitted into the venerable English tradition of Nonsense.
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#05
Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) · Jacques Lacan · p.11
http://www.lacaninireland.com
Theoretical move: Lacan argues that the signifier is irreducible to the sign and to meaning, and that language's attempt to account for itself necessarily produces a loss that cannot be recuperated—a "non-sense" that is the face the signifier presents to the signified side; against Hegelian dialectics and developmental psychology (Piaget), this loss grounds the subject's relation to the signifier and is the proper pivot of analytic praxis.
what is explored is not the ocean, the infinite sea of meanings, it is what happens in the very measure that it reveals to us this barrier of 'non-sense'. Which does not mean without meaning, which is the face of refusal that sense presents on the side of the signifier.
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#06
Seminar XII · Crucial Problems for Psychoanalysis (alt. translation) · Jacques Lacan · p.22
All men are mortal Socrates is a man Therefore Socrates is mortal
Theoretical move: Lacan argues that the impossibility of metalanguage (demonstrated through Russell's own reductio) grounds the irreducibly precarious position of the subject in language, and that this same impossibility produces the structural incommunicability of psychoanalytic experience—communicable only through non-sense rather than master-words or codified sense.
I called, which I evoked, which I highlighted the last time under the term of *non-sense*, as being the icy face, the sheer one, where there is marked this limit between the effect of the signifier and what returns to it by reflection of signified facts
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#07
Seminar XII · Crucial Problems for Psychoanalysis · Jacques Lacan · p.23
All men are mortal Socrates is a man Therefore Socrates is mortal
Theoretical move: Lacan uses Russell's *Principia Mathematica* and the theory of metalanguages as a foil to assert the foundational thesis that there is no metalanguage—every logical or structural discourse presupposes the primary use of language—and situates this thesis as the precondition for psychoanalytic practice, positioning the analyst not as a subject supposed to know but as one who risks themselves at the place of the subject's lack.
The maintaining of nonsense as signifier of the presence of the subject, the Socratic atopia, is essential for this very search.
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#08
Seminar XII · Crucial Problems for Psychoanalysis · Jacques Lacan · p.11
http://www.lacaninireland.com
Theoretical move: Lacan argues that the signifier's essential function is to represent the subject for another signifier, not to produce meaning through a signifier/signified relation alone; and that "non-sense" (the face sense presents on the side of the signifier) is the operative barrier that psychoanalytic experience explores, distinguishing this from any philosophical or developmental-psychological recuperation of loss through meaning.
the face it presents on the side of the signified, is properly what is not 'unmeaning', non-signifiant, but 'meaningless'... it is not possible to properly punctuate what is involved in our analytic experience, except by seeing that what is explored is not the ocean, the infinite sea of meanings, it is what happens in the very measure that it reveals to us this barrier of 'non-sense'.
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#09
A Voice and Nothing More · Mladen Dolar · p.158
A month later: > Lalangue
Theoretical move: The passage argues that *lalangue* names the irreducible surplus of phonic materiality over meaning in language, and that this surplus—rather than being aestheticized as poetic effect—is the very site where unconscious desire is constituted retroactively; interpretation's aim is therefore not to supply meaning but to reduce signifiers to their non-sense, revealing desire as the fold of language itself rather than its hidden content.
Even with pure nonsense poetry, it is very difficult not to see sense in it… proving that nonsense makes more sense than normal sense; it is far from absent; rather, there is too much of it.
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#10
A Voice and Nothing More · Mladen Dolar · p.151
A month later: > Lalangue
Theoretical move: Dolar argues that lalangue names the internal divergence between the signifier's differential logic and the voice's logic of sonic resemblance/contamination, displacing the early Lacanian formula "the unconscious is structured like a language" with one in which enjoyment (jouissance) is not proscribed beyond speech but operates as the inner torsion of speech itself—the Möbius-strip surface on which signifier and voice are the same yet irreducibly split.
The nonsense emerges from contingent sound encounters, and with it another sense, which can manifest itself only for a moment because of that co-sonance, through the momentary resounding, then it is gone.
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#11
A Voice and Nothing More · Mladen Dolar · p.52
chapter 2 > A brief course in the history of metaphysics
Theoretical move: Against Derrida's phonocentric thesis, Dolar demonstrates that metaphysics harbors a counter-tradition in which the voice—specifically the voice unmoored from logos/text—is figured as dangerous, seductive, and ruinous, establishing a persistent dichotomy of voice and logos that runs from ancient Chinese precepts through Plato and Augustine, and which Lacan inherits rather than invents.
as soon as it departs from its textual anchorage, the voice becomes senseless and threatening—all the more so because of its seductive and intoxicating powers
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#12
A Voice and Nothing More · Mladen Dolar · p.81
The voice and the drive
Theoretical move: Dolar argues that the voice, as objet petit a, occupies the paradoxical topological intersection of language and the body that belongs to neither, and that this position is what makes the voice the object of the drive rather than of desire — the drive's "aim" (the voice as by-product) is satisfied on the way to the "goal" (meaning), precisely because the voice is a non-dialectical, aphonic remainder that resists signification.
where the 'nonsense' of dreams lays bare the signifying mechanism.
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#13
The Parallax View · Slavoj Žižek · p.185
Copernicus, Darwin, Freud . . . and Many Others > When the God Comes Around
Theoretical move: Žižek argues that the trauma of the Shoah forces theology through a dialectical succession of positions—from sovereign to finite to suffering God—and that only the theological frame can adequately register the scope of such catastrophe; this dialectic mirrors the Universal-Particular-Singular triad of Christian confessions (Orthodoxy-Catholicism-Protestantism), culminating in a Protestant God of arbitrary, Law-suspending cruelty whose dark underside is the necessary correlate of the excess of Christian love over Jewish Law.
after all common measure between shoah and its meaning breaks down: (3) the divine mystery theory
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#14
The Parallax View · Slavoj Žižek · p.87
The Birth of (Hegelian) Concrete Universality out of the Spirit of (Kantian) Antinomies > Kierkegaard as a Hegelian > Die Versagung
Theoretical move: Žižek uses Lacan's reading of Claudel's *The Hostage* and James's *The Portrait of a Lady* to argue that the feminine "No" (Versagung) is not a signifying negation grounded in the paternal "No," but a bodily, excremental gesture of pure loss that enacts separation from the Symbolic—prefiguring the sinthome—and that this "No as such" (form without content) is the hidden materialist core linking Kierkegaard's infinite resignation to Hegelian speculative identity.
pure, unconditional Meaning can appear (and it has to appear) only as nonsense. The content of pure Meaning can only be negative: the Void, the absence of Meaning.