Counterphobic Object
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#01
Powers of Horror: An Essay on Abjection · Julia Kristeva · p.50
POWERS OF HORROR > DEVOURING LANGUAGE
Theoretical move: Kristeva argues that language acquisition and verbal activity originate in the attempt to introject a lost (maternal) object, making the phobic object the "hallucination of nothing" — a metaphor-as-anaphora pointing toward an unknowable non-thing — and that writing, unlike analytic interpretation, does not convert this confrontation with the ab-ject into a fantasy of desire but instead unfolds the logico-drive strategies of abjection itself.
language has then become a counterphobic object; it no longer plays the role of an element of miscarried introjection, capable, in the child's phobia, of revealing the anguish of original want