Apocalypse and Carnival
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#01
Powers of Horror: An Essay on Abjection · Julia Kristeva · p.150
POWERS OF HORROR > SUFFERING AND HORROR
Theoretical move: Kristeva argues that in Céline's narrative, suffering and horror are not merely thematic content but the structural principle of abjection itself: when the subject-object boundary collapses, narrative form disintegrates from linear story into cry, then into poetic violence and silence, while sublimation (writing, music, love) marks the infinitesimal distance that keeps the speaking subject from total dissolution into abjection.
not until the advent of twentieth-century 'abject' literature (the sort that takes up where apocalypse and carnival left off) did one realize that the narrative web is a thin film constantly threatened with bursting.